FREQUENCY.

 

Spectrum Shift of Time and the Neuromyth: Not Aliens, but Frequency

Author: E.G.
Year: 2025
Fields: Consciousness, Quantum Physics, Neuroscience, Archeological Critique

Abstract

This article argues that ancient mythological and symbolic drawings were not inspired by aliens, but by individuals who, in altered states of consciousness, perceived vibrational projections of the future. Time is not a linear entity, but an electromagnetic spectrum. What we call the "present" (the Now) is merely a momentum between Point A (the past) and Point B (the future). This framework, named neuromyth, reframes alien phenomena as cognitive misinterpretations of temporal resonance.

1. Introduction: The Delayed Nature of Time

Light from the Sun takes approximately 8 minutes to reach Earth. This simple physical fact reveals that nothing we observe is truly in the present. Likewise, photons arriving from distant galaxies show us the state of the universe billions of years ago. In this context, time is not an event, but a delay of information.

2. Time Spectrum and Quantum Waves

In quantum mechanics, every particle also carries a wave function (De Broglie, 1924). Some of these waves are uncollapsed—unobserved. Observation affects not only the past, but according to some theories (Aharonov & Vaidman, 2008), may also influence the future (retrocausality). Therefore, the human brain might function as a biological receiver of electromagnetic signals coming from the future.

3. The Brain’s Magnetic Sensitivity and Transcendent States

During trance, dreaming, or meditation, the human brain becomes more receptive to low-frequency magnetic fields (e.g., Schumann resonance at 7.83 Hz). The pineal gland and prefrontal cortex are especially sensitive to these signals. Ancient individuals might have entered altered states and perceived a “rip” in the temporal spectrum—allowing brief visions of the future that were later drawn as gods or “beings from the sky.”

4. Archeological Silence vs. Symbolic Vision

To date, no physical artifacts of extraterrestrial origin have been uncovered in archeology. Yet drawings of "astronauts," "portable devices," and "flying crafts" persist throughout ancient art. Rather than contact, these are likely symbolic representations of vibrational impressions—mental snapshots of time distortions during altered states.

5. The Neuromyth: Temporal Signals and Cognitive Decoding

The term neuromyth describes a brain-based phenomenon where future waves are intuitively received and encoded as cultural or spiritual symbols. This concept repositions alien myths and prophetic traditions into a scientifically plausible model. Neuromyths are not transmissions of knowledge—but encrypted perceptions of vibrational information.

6. Cinema and the Commercialization of the “Alien” Idea

From the 1970s onward, alien-themed productions became central to pop culture. Books like Chariots of the Gods converted speculative visions into mass belief. However, these beliefs are not supported by science, but by repetition and economic interest. The alien myth became a product, not a proof.

7. Conclusion: Future Vibrates, Mind Decodes

This paper suggests that the so-called “alien” figures in ancient art are the result of human minds decoding electromagnetic waves from the future. Time is not a directional stream but a spectrum—and the Now is just the momentum between past and future. Aliens do not exist; what exists is our consciousness interacting with frequency. Reality is not delivered from outside—it is decrypted from within.

References

• De Broglie, L. (1924). Recherches sur la théorie des quanta.
• Aharonov, Y., Vaidman, L. (2008). The Two-State Vector Formalism.
• Bem, D. (2011). Feeling the Future: Experimental Evidence for Anomalous Retroactive Influences on Cognition and Affect.
• Persinger, M. A. (1987). Geomagnetic activity and the dream state: The right temporal lobe connection.
• Schumann, W. O. (1952). On the free oscillations of a conducting sphere.

Note: This article is a scientific continuation of the author’s prior essays, such as “The Universe Within Flesh,” “Dream Logic,” and “The Neurochemical Captivity of the Self.”